Encouraged, up to a point, by the daughter who works in film publicity, I went to see Gainsbourg (Vie héroïque).
It was, from my purely amateur viewpoint, an excellent film, appearing to capture something of the confusion, wit, romance, rebelliousness, self-destructiveness and genius of the man and his life.
He died many years before the statistical average age for French males, in fact at roughly my own age now, and it is fitting that his rumbustious life and times should have been turned into a film.
It would be pointless to ramble on about it. If you didn't care for Gainsbourg, there probably isn't much in the film for you and you may even find one or two of the director Joann Sfar's devices irritating.
But what will strike those who do catch the film, and read anything at all about it, is that they will be seeing what I assume was the last professional work of Lucy Gordon, superbly cast as one of the loves (along with the booze and fags that saw him off to an early grave) of Gainsbourg's life, Jane Birkin.
She was two days short of her 29th birthday when she apparently committed suicide, hanging herself in her Paris apartment.
I have no idea what demons drove her to take her own life, but assume depression to have played its part. The clinical form, as opposed to feeling a bit down,
is a vicious condition, as I have seen when covering inquests on prominent people who seemed to outsiders to have seriously successful lives but suffered the kind of mood swings most of us never know.
The credits made special reference to Lucy, dedicating the film in her memory. But what a pity she did not live to see the finished product, which I believe to the case, or to gain some support and strength from the kind words many have said or written about her performance.
* I am reminded of my friend Dumdad's charming account of the day Serge Gainsbourg's grandson tried to pick up his daughter ... click here to read it
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